Stories from the festival writing shed

Sometimes it’s worth making a plan, if only for the fun of ripping it up

I spent a lot of time thinking about how I would spend my time as a “writer in residence” at the Lounge on the Farm music festival. I experimented beforehand with new technologies. I spent ages downloading apps and trying to get them to work. I wanted my iPhone to be a pocket-sized multi-media publishing hub.

But I abandoned most of what I’d planned to do within maybe 30 minutes of arriving on site. There were so many actual, real-life walking, talking and partying people to interact with. I wasn’t that bothered about tinkering with my phone or reaching out to a virtual audience.

Instead, I went analogue. My creative tools became sharpened pencils, 3×5 cards, paperclips and string.

I accosted passers-by and asked them to reveal their most and least favourite words. I strung these together, hung them in the breeze, and made a story out of them. I wrote flash stories on my 3×5 cards and gave them to people as they queued for burgers or sipped their tea – “Would you like a fresh piece of fiction with your Earl Grey, madam?” Nobody said no. I wrote provocative lines on cup-sleeves for the owners of a coffee stall – their customers loved them, they reported later.

I sat in my writing shed – shared with the rest of the brilliant ReAuthoring team – and answered endless questions from curious people: what are you doing? why? are you really a writer? like, properly?

I learned how easy it can be to slip a little literature into someone’s life – just a scrap of paper and a few words will do the job. And how varied, surprising and pleasant the effects can be. Ten words in the right order can make someone laugh, call over their mates, stop, laugh again, then go away “for a bit of a think”.

I’m a writer in residence again next week, this time in Whitstable, where I’ll be taking over Oxford Street Books for a day. I’ll be writing on-the-spot flash stories and other literary morsels, inspired by the customers and the books they browse, from 3pm to 5.30pm. Drop by and I’ll write something for you.

A quiet moment, writing outside the shed
A story left on the grass for anyone to find

A coffee customer enjoys his shot of words
A line on a coffee cup
Fun people enjoy a story I wrote for them

One of the many lines I pinned to the shed

Why I love my typewriter

I am writing the first draft of this blog post on my new typewriter. It is a Brother AX-100. Later, when I write the second draft on my very lovely MacBook Pro, I will add a photo of my typewriter, and perhaps some links to some information about it, and where I bought it. But not now. Now I am just focusing on writing down some words.

And that, of course, is the reason why I love my typewriter. It does what it does, and nothing else. It has no means of distracting me. There are a few functions that I might tinker with one day. I can write in single-spaced lines or double. I can change the “pitch” from 10 to 12, whatever that means (I’ve tried it and can’t see any difference). There are a few other controls to do with tabs, I think, and margins. They hold little interest.

I’ve wanted a typewriter for such a long time. I don’t know why I’ve not bought one sooner. Partly, I think, it’s because it seems such a step backwards. I love technology. My iPhone, iPad and MacBook give me great pleasure. They are the kind of devices that I dreamed of owning as a child. When I ask Siri questions, I am Captain Kirk.

Like many writers, I hate Microsoft Word with a passion. Every new version of it seems worse than the one before. My laptop, with all its gigabytes and megahertz, takes as long to open a simple document as my Mac Classic did 15 years ago. And when I work in Word, it crashes just as often. I use Scrivener as much as I can. It is simple and aimed at writers. But it still invites me to fiddle with fonts, window arrangements and such like. And anyway, it’s not just the simplicity of a distraction-free writing environment that I crave.

A typed manuscript is a beautiful thing. Words bashed out mechanically onto a scrolling sheet of paper, the criss-crossing of edits, additions, deletions – ideally in different colours. I find the result of typing aesthetically pleasing. And when I am done, when I reach the end of the page, I have made something physical, an object that did not existing in the world previously. I have not simply rearranged bytes of data. I like that.

I like to write with pen and paper for the same reason. I will continue to do so. The typewriter is not meant to replace another writing technology, it is just another tool weapon in my armoury.

Oh, and I just love the noise it makes: whirr, clack, clack. By contrast, the near-silent hum of my MacBook’s whispering fans, the click and shuffle of its hard drive, I find infuriating. No, the noise of the typewriter is a good noise. I can sit here now, at my desk, with the window open, a brisk breeze bending the sycamore trees and barging its way through the tilting fields of rape seed and feel connected to it all in a way that I wasn’t previously.

Ah, I’ve reached the end of the page.

What a beauty